Late Victorian Vampire Shirt

Posted on July 27, 2026
Tags: madeof:atoms, craft:sewing, FreeSoftWear

A woman wearing an old-style white shirt with lots of fullness,
wide and long sleeves and ruffles at the collar that spread out
framing the neck, down the center front to underbust height,
covering the slit and at the cuffs, reaching to mid-hand. The
shirt is gathered at the waist with a belt, and worn over the
bottom garment to show that it reaches to mid tight.
Drama levels in the pose are pretty low.

The recurring joke is that because of some health issues, in summer I dress like a Victorian Vampire.

But how would an actual Late Victorian Vampire dress? Picture her, she would look like some kind of eccentric gentlewoman, as vampires usually do, probably with a style that is a bit conservative, rather than following the latest fashions.

Same woman, same shirt, posing as a vampire ready to attack a
victim. Drama levels increasing.

Now, she wouldn’t probably wear men’s shirts. But what if she was a lesbian1 vampire? Wouldn’t she need a fancy, frilly shirt to go with her tailored cycling suit when she’s out seducing the more active ladies in the neighbourhood?

Or maybe not. It’s not making a lot of sense, is it? But I do have a lot of shirt fabric in my stash2, and I could use a few more shirts that were practical and comfortable, but also somewhat over the top.

For the practical and comfortable I went to my trusted 1880s shirt, while for the over the top part I looked at inspiration from the earlier 18th century frilly shirts, and their later imitations.

I decided to use some nice cotton batiste I had bought quite a few years ago to make one of my first historically inspired shirtwaists: I may have a tendency to buy a bit more fabric than actually needed by the pattern, but that’s what everybody does, right?

For the ruffles I decided to use a lighter weight cotton voile, also from the stash.

the top edge of a ruffle being whipstitched over some gathered
fabric; the rest of the unfinished shirt is visible in the
background.

At the front, I wanted the ruffle to be inserted in the yoke, but I was also whipstitching the gathers to it to make them neater, so I started bu attaching the yoke lining to the gathered front, then I whipstitched the ruffle to the front, catching each gather, and finally I whipstitched the other yoke on the ruffle and the rest of the gathered front.

The front of a shirt: the body was gathered into a yoke, but it
has been unpicked and pulled out to extend a bit past the end of
it, into where the collar will be sewn.

And then after sewing the collar, I realized that this way the slit would have remained open in the front (or the collar too narrow), so I had to unpick the front part of the yoke, and sew it again, this time leaving an excess of fabric as wide as half the placket width from the pattern, to be sewn directly in the collar band.

From then, things progressed smoothly, with some interruptions, until I got to the first sleeve, which I failed to insert twice, as one does.

The same shirt worn without the ruffle at the collar, with just
what looks like a mandarin collar, closed with a clip with an
amethyst. Drama levels have gone way down.

On the third attempt, with a different method, I succeeded, I tried the shirt on, and it already felt extra.

Close up of the collar on a table: at the center back of the
shirt collar there is a buttonhole, and a double button is used to
keep the detached collar in place, while at the front both the
shirt collar and the detached collar have buttonholes.

But it could be even more extra. With some ruffles also at the collar.

Same close up, but now the collar has been closed with a
clip-on earring with an amethyst and some small fake clear stones,
and it looks as if the skirt had a ruffle collar and a jewel
button (or a pin).

The shirt had been made with a simple collar band, and I could have just added the ruffle to it, but I also wanted to be able to wear it with other detachable collars, so I decided to make another collar band with ruffles, to wear on top.

And that was mostly it, except for the reinforcement patches at the side seams and cuffs: I love having them, because they make the seam end neater and stronger, but they are a bit of a hassle to make, so they got postponed a few days.

Same woman and shirt, back with the ruffled collar, in a pose
like that of an artist that is fainting for futile reasons. Drama
levels over the top.

But finally, the shirt was done.

And I tried it on, and it was good.

But now I really need a pair of cycling breeches, don’t I?


  1. ok, maybe straight passing bi? anyway.↩︎

  2. I have no idea how they got there.↩︎